All's Red that's Riding Hood

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    "All's Red that's Riding Hood" by Terrance V McArthur Directed by Heather Parish Rogue Performance Festival, Fresno, CA. March, 2008. Alicia Buss, James Sherrill, Tom Nance, Randi Saul Olson.

Woodward Shakespeare 2006

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    Woodward Shakespeare Festival's Plays of 2006. I did the lighting design for Midsummer Night's Dream and Macbeth.

Enchanted April

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    Ice House Theatre, Visalia, CA Kristin Lyn Crase, Linnea George, Brooke Aiello, Tom Nance, Craig Wilson, Chase Darwin, Randi Saul-Olson, Jeni Watson. . . . and me. Lights and set by yours truly and LeeAnn Burnett.

The Turn of the Screw

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    The Turn of the Screw by Henry James Adapted by Jeffrey Hatcher Directed by Heather Parish October, 2005 Ice House Theatre, Visalia. Brooke Aiello (The Governess) Thomas Nance (The Man)

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October 01, 2006

Murder Staged. . .

Last night we completed our first Staged Reading Classic at the Ice House Theatre.  I truly didn't expect TS Eliot's weighty Murder in the Cathedral to draw an appreciative audience. . . or much audience at all.  However, we had 30 people in the audience (only 10 of which probably felt they HAD to be there!).

The play is plodding and weary when on the page, but giving it legs tends to give it life.  It speaks beautifully and we had several successful scenes well staged in the lobby, 3/4 in the round.  The actors did terrific work, considering they only had 10 hours of rehearsal and most of whom had never done anything like this before.  Working in the lobby, in the round, in poetry, and with some Viewpoints techniques can be daunting for anyone, but the actors took on the work with enthusiasm.  They all brought a particular energy to the evening. 

Several audience members stayed after to say how they appreciated the work, how important it was to hear such a play in these times, and that this sort of work should be done more often in Visalia. 

Other people were more restrained in their praise, but not unappreciative of the efforts.  That type of play and that type of staging and that type of 'experiment' is not to everyone's taste.  But I do it for the few people who do desire something more substantial in their theatrical ideas, but who don't have much opportunity to see around these parts. 

All in all, it was a successful evening (which probably made the Players $150 in donations, at least).  I'll be making some adjustments in my next staged reading, an adaptation of Richard Sheridan's School for Scandal.

September 29, 2006

Murder in the Cathedral tomorrow night.

Just a quick note about Murder in the Cathedral:  it's up and ready to go for Saturday night.  The cast worked hard over three nights to deal with a very complicated script.  And it is a tough script.  Highly intellectual!  But they've all rolled with the challenges of the projects-- whatever those challenges might have been for each of them.  Several of them were introduced to a slightly new way of approaching theatrical staging. 

The project has been good for me.  I love working in the lobby and figuring out what to do with "that damnable pole" right in the middle of it.  (I haven't truly found an effective way of dealing with it, but I keep exploring).  But this staged reading is good ground work for the kind of experiential version of classics I enjoy staging.